Second, the metaphor of the road represents Muter’s path to becoming a notable personality in the artistic world. That process began when she moved from Warsaw (at that time, still in the Russian Empire) to Paris. In the interwar period, she became an independent and respected artist, under the pseudonym of Mela Muter. While Muter used to be marginalized in art history, especially after the painter’s death in 1967, nowadays, there is great interest in her life and work, both among collector and the broader audience. Gradually, as a result of changes in the canon of Polish modern art, her paintings are being included in Polish public collections.
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